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Opening for Show at Fountainhead Gallery on Nov 4, 2017

Please join me at the opening for my Solo Show at Fountainhead Gallery on Saturday, November 4th, 5-7pm.  The title of the show is Moods of Nature.  Here are a couple of paintings that will be in the show.  Come if you can, I’d love to see you there!

https://www.fountainheadgallery.com

 

nisqually wildlife refuge, dusk, landscape painting, oil painting, representational art, classical realism, contemporary landscape, tonalist painting, tonalism

Refuge At Dusk, 24 x 30

 

winter, trees, pond, fog, representational art, nocturne, oil painting, landscape painting

Winter Moon, 20 x 16

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Plein Air Washington Artists’ “Little Gems” Juried Show

juried show, landscape painting, oil painting, representational art, plein air painting, realism, classical realism, tonalism

2nd Annual Little Gems Juried Art Show

I am honored to participate in this year’s 2nd annual Little Gems Juried Art Show at the Scott Milo Gallery in Anacortes, WA.  The opening reception will be held on June 2nd and the paintings will hang in the gallery until July 29th.  I cordially invite you to attend this show and to see some fantastic plein air and studio paintings from some of the Northwest’s finest artists.  My painting, Patterson Creek, was chosen as Best of Show at the Clymer Museum’s Juried Show “West of the Mississippi” in 2014.   I hope to see you there!

landscape painting, fine art, classical realism, classical painting, classical landscape painting, oil painting, art, winter field, gray sky, creek, distant fir trees, purple mountains

Patterson Creek, 8 x 12

Story of making the painting, “Valley Light”

Oil paining, mountain, tonalist painting, tonalism, representational art, mountains, trees, panoramic view, valley, shadow line, clouds, realism, classical painting, rosemary brushes, contemporary realism, contemporary art

Presence, 24 x 38

Late one fall afternoon I was working in my studio – and I felt a hunch that I ought to go to my special view spot in the mountains.  It was faster to ride my bike than walk, as it was nearing the end of the day- so I grabbed a backpack and threw in my sketchbook and a packet of charcoal. The weather had been variable all day with patchy clouds and sun breaks.  As I headed up the trail I could see faint light glimmering through the trees.  Higher and higher I rode, as fast as my lungs would allow.  Once I reached the clearing, the sight before me stopped me in my tracks. Reflecting off the cliffs of Mt. Si was this orange-gold light – a spectacular vision that I had never seen before; orange light with a dark shadow line rising up the flanks of the entire mountain range.  The image of this beautiful valley light burned instantly into my mind’s eye.  I knew I had to create this scene into a painting.  But wouldn’t the time please stop and let me soak in the experience a little longer?  I knew it wouldn’t – moments don’t stand still do they?  They just keep unfolding, one after another.  I felt myself accepting the orange light as it sank into my bones and I stood there, silently observing.   No drawing needed.   Luckily I had been there before to draw, so, I had, at least, a record of the important elements.  If you have ever looked at a painting for a long time maybe you’ve experienced a moment through an artist’s rendering.  Back in the studio I had the opportunity to re-experience that moment many times over – from memory.   That’s why I called this painting, Valley Light.  It’s about the Here and Now.  I like Being. Here. Now.

Matzke Fine Art Gallery, “Honey I Shrunk the Art” Annual Small Works Show

I am excited to participate in Matzke Fine Art Gallery’s 26th “Honey I Shrunk the Art” annual small works show!  The show opens on November 19th with an Opening Party and Potluck, 4pm –  9pm, and continues through January 15, 2017. Visit the website at http://www.matzkefineart.com.

For this show I created five plein air paintings of Camano Island.  As a native Washingtonian, I spent many childhood summers exploring our coastlines by boat, throughout Puget Sound and the Inland Passage. My favorite spot on the boat was sitting on the bow, scouting for logs and stumps, or any other danger to our small craft.  I loved to look past the white caps to the rows of slim blue islands across the channel and imagine what life was like at each distant port.  Fast forward a couple of decades and I am still exploring – with my oil paints.  For this series of small plein air paintings, I set out to visit the beaches of Camano Island.  Standing close to the water, smelling the salt and listening to the waves crash against the shore brought me right back to those boat rides and summer time feel.  It’s funny how the smell of salt water can trigger so many memories.  I feel the same sense of wonder today for the beauty I see in nature that I did when I was a child.  Through painting, I try to express an honest translation of both soul and the land.

impressionism, oil, oil painting, landscape painting, mt baker, cascades, cascade mountains, representational art, contemporary landscape painting, oil, gallery, plein air, farmland

Mt Baker, 6 x 8, plein air

camano island state park, representational painting, impressionism, plein air, painting, oil, landscape painting, puget sound, salt water, island, water, contemporary landscape

Camano Island State Park, 6 x 8, plein air

skagit bay, puget sound, salt water, oil painting, plein air, representational art, impressionism, classical painting, classical realism, oil, pacific northwest art, gallery, beach, sand, water, tide

Skagit Bay, 6 x 8, plein air

camano island, representational art, tide, water, pilings, mountains, sea, oil painting, contemporary landscape, landscape painting, impressionism, representational art, pacific northwest, puget sound, mountains, plein air painting,

Tide Coming In, 6 x 8, Plein Air

mudflats, salt water, puget sound, oil painting, landscape painting, plein air, painting, representational art, impressionism, classical realism, realism, puget sound, mountains, piling

Mudflats, 8 x 6, plein air

Spring National Oil & Acrylic Society International On-Line Exhibition

I am honored to learn that my painting, A Bay View, was accepted in the National Oil & Acrylic Society’s Spring International On-Line Exhibition!

The idea for A Bay View came about one morning at Bay View State Park, part of Washington state’s Puget Sound and the San Juan Islands.  I was on a multi-day drawing and painting trip, observing and appreciating the coastlines, the waves and the trees at different times of day.  On the last morning I returned to the beach and sat on a log, watching as the pale Northwest sky slowly filled with pinks and roses of early dawn. I knew that an idea was born.

Thanks for reading!

A Bay View, 20 x 30

A Bay View, 20 x 30