From the BlogSubscribe Now

Fine Art River Painting – Contemporary Tonalism

Inspiration abounds in the tall green trees of this fine art river painting!  From the thick foliage of the understory up through the canopy, I look for a variety of greens and yellows in nature.  These colors help to convey a calming mood in this painting. The trees are why I live and paint in the Pacific Northwest!

My greatest influences are the artists of the American Tonalist movement. Their goal was to capture the moods and allure of the landscape.  My work is similar, in that I respond to nature on an emotional level, striving to find the spiritual qualities, or poetry, in the land.

Being outside in nature is an awe inspiring experience.  How does one respond to the beauty of the universe?  Experiencing each moment builds up a series of impressions.  Many impressions create an experience as a whole.  After visiting a scene, I  recall upon the memory of a place.  The memory filters out the most poignant elements and leaves the rest behind.   Designing a good composition for a painting is the key to success.  What I leave out is just as important as what remains. It’s an abstract step in the process, to design a painting, and I may not do an exact rendering of a scene.  As a result, my paintings become more about a feeling, and a sense of place.  How do you feel when you view this painting?

Read more about Tonalism:

If you’re interested in learning more about the American Tonalism Movement please visit: https://www.amazon.com/History-American-Tonalism-Crucible…/dp/0988902222 

The size of River Song is: 45″ x30″.  This contemporary composition is a “stand out” oil painting for any room of your home or office!

If interested in purchasing this fine art river painting please email me at the following email address:

Email : lolly@lollyshera.com

 

Fine art river landscape, fine art river painting, evergreen trees near a river, moody river landscape, river reflections, river song

River Song, 40 x 25

 

Currently Showing at Art Gallery of Sno Valley!

My work is hanging at the Art Gallery of Sno Valley on March 5 – May 7th.  Stop by if you’re in the neighborhood!

Art Gallery of Sno Valley

8130Railroad Ave

Snoqualmie, WA 98065

http://www.artgalleryofsnovalley.com

Oil painting, mountain, tonalist painting, tonalism, representational art, mountains, trees, panoramic view, valley, shadow line, clouds, realism, classical painting, rosemary brushes, contemporary realism, contemporary art

Valley Light, 24 x 38

 

river, snoqualmie river, representational painting, landscape painting, oil painting, contemporary landscape, art, contemporary art, realism, tonalism, river, water,

Tokul Creek, 11 x 14

 

rattlesnake lake, cascade mountains, mountain lake, trees, fog, landscape painting, tonalist landscape, oil painting, classical realist, representational art, fine art, landscape painting, contemporary painting

Day Break, 20 x 16

 

creek in field, winter day, grey sky, silver light, evergreen trees, landscape, color study

Patterson Creek, 8 x 12

 

oil painting, skagit valley, landscape painting, tonalist painting, classical art, art, representational painting, cloud painting, rain, field, spring

A Hint of Spring, 18 x 24

 

A Day at Noon, 12 x 18

 

mountain, creek, oil painting, landscape painting, representational art, forest stream, fallen log

Mountain Creek, 11 x 14

 

Together, 6×8

 

SaveSave

SaveSave

SaveSave

Story of making the painting, “Valley Light”

Oil paining, mountain, tonalist painting, tonalism, representational art, mountains, trees, panoramic view, valley, shadow line, clouds, realism, classical painting, rosemary brushes, contemporary realism, contemporary art

Presence, 24 x 38

Late one fall afternoon I was working in my studio – and I felt a hunch that I ought to go to my special view spot in the mountains.  It was faster to ride my bike than walk, as it was nearing the end of the day- so I grabbed a backpack and threw in my sketchbook and a packet of charcoal. The weather had been variable all day with patchy clouds and sun breaks.  As I headed up the trail I could see faint light glimmering through the trees.  Higher and higher I rode, as fast as my lungs would allow.  Once I reached the clearing, the sight before me stopped me in my tracks. Reflecting off the cliffs of Mt. Si was this orange-gold light – a spectacular vision that I had never seen before; orange light with a dark shadow line rising up the flanks of the entire mountain range.  The image of this beautiful valley light burned instantly into my mind’s eye.  I knew I had to create this scene into a painting.  But wouldn’t the time please stop and let me soak in the experience a little longer?  I knew it wouldn’t – moments don’t stand still do they?  They just keep unfolding, one after another.  I felt myself accepting the orange light as it sank into my bones and I stood there, silently observing.   No drawing needed.   Luckily I had been there before to draw, so, I had, at least, a record of the important elements.  If you have ever looked at a painting for a long time maybe you’ve experienced a moment through an artist’s rendering.  Back in the studio I had the opportunity to re-experience that moment many times over – from memory.   That’s why I called this painting, Valley Light.  It’s about the Here and Now.  I like Being. Here. Now.

Matzke Fine Art Gallery, “Honey I Shrunk the Art” Annual Small Works Show

I am excited to participate in Matzke Fine Art Gallery’s 26th “Honey I Shrunk the Art” annual small works show!  The show opens on November 19th with an Opening Party and Potluck, 4pm –  9pm, and continues through January 15, 2017. Visit the website at http://www.matzkefineart.com.

For this show I created five plein air paintings of Camano Island.  As a native Washingtonian, I spent many childhood summers exploring our coastlines by boat, throughout Puget Sound and the Inland Passage. My favorite spot on the boat was sitting on the bow, scouting for logs and stumps, or any other danger to our small craft.  I loved to look past the white caps to the rows of slim blue islands across the channel and imagine what life was like at each distant port.  Fast forward a couple of decades and I am still exploring – with my oil paints.  For this series of small plein air paintings, I set out to visit the beaches of Camano Island.  Standing close to the water, smelling the salt and listening to the waves crash against the shore brought me right back to those boat rides and summer time feel.  It’s funny how the smell of salt water can trigger so many memories.  I feel the same sense of wonder today for the beauty I see in nature that I did when I was a child.  Through painting, I try to express an honest translation of both soul and the land.

impressionism, oil, oil painting, landscape painting, mt baker, cascades, cascade mountains, representational art, contemporary landscape painting, oil, gallery, plein air, farmland

Mt Baker, 6 x 8, plein air

camano island state park, representational painting, impressionism, plein air, painting, oil, landscape painting, puget sound, salt water, island, water, contemporary landscape

Camano Island State Park, 6 x 8, plein air

skagit bay, puget sound, salt water, oil painting, plein air, representational art, impressionism, classical painting, classical realism, oil, pacific northwest art, gallery, beach, sand, water, tide

Skagit Bay, 6 x 8, plein air

camano island, representational art, tide, water, pilings, mountains, sea, oil painting, contemporary landscape, landscape painting, impressionism, representational art, pacific northwest, puget sound, mountains, plein air painting,

Tide Coming In, 6 x 8, Plein Air

mudflats, salt water, puget sound, oil painting, landscape painting, plein air, painting, representational art, impressionism, classical realism, realism, puget sound, mountains, piling

Mudflats, 8 x 6, plein air