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Drawings – Field Drawings v. Studio Drawings

graphite drawing, desert plants, sage

Sage Garden, 7 x 10, SOLD

Snoqualmie Falls Drawing, 17 x 13

Snoqualmie Falls Drawing, 17 x 13

Many of you know that I create my paintings from studies – drawings done on location AND in the studio.  It’s funny why artists use the term “study,” but it really makes sense.  While we are working on a drawing we ARE actually studying the subject, whether it’s a figure, still life, or landscape – observing as much as possible in a limited amount of time in order to understand how everything holds together.

When I am in the field I will begin with a few quick thumbnail sketches before I launch into a drawing.  Then I will jot down a few notes that help me remember important pieces of information for later on.  I always include the date, the time of day, weather conditions, lightest light and darkest dark, color harmonies, and, most important, the reason for doing the drawing in the first place.  Why is it an attractive scene?  Why does it compel me?  What am I feeling at the time?  Landscapes are mirrors of our souls and I always try to figure out what it is that compels me to this location.  The top drawing, Sage Garden, was done outside on a very hot day in eastern Oregon.  I love the desert and the great variety of  plants that grow there!

The bottom drawing of Snoqualmie Falls was done in the studio.  I came back from the field with a 9 x 12 plein air painting of Snoqualmie Falls and worked from that to create this larger study.  I knew that I wanted to make a larger painting so it made sense to go into more detail in the drawing stage before I launched into the painting.  It’s amazing what we can remember from being in the field.  I work on my memory through drawing exercises and it has helped immensely.

I am trying to photograph more of my drawings (there are TONS) and I will post them in the drawing section of my website periodically.  If you ever want more information please let me know.    Thanks for visiting!