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Indirect Painting Technique

Here are four paintings recently completed using an indirect approach.  Starting with a monochromatic under painting gives me a visual of the final picture before  I  start adding color.  The first opaque passage is followed by several rounds of thin glazes, scumbles, and velaturas.  After adjusting  the values,  colors temperature and chroma, I adjust edges and add the final details to bring the picture to completion.  It’s a slow process of working for a short period on one piece before setting it aside to work on another.   I like how the painting develops slowly, over time;  it is similar to how a memory is recalled in your mind-  you see it and feel it emerge from the inside out.

fir trees, distant mountains, yellow clouds, early evening sunset

Rattlesnake Ridge, 9 x 9

 

winter field, gray sky, creek, distant fir trees, purple mountains

Patterson Creek, 8 x 12

 

Dawn, fir trees with dead snag, orange sunrise sky, dark foreground grasses

Morning Majesty, 9 x 12

 

Evening at the Slough, 8 x 10

Evening at the Slough, 8 x 10

 

Comments

  1. Lolly – These are lovely! Rich, warm and dreamy.