From the BlogSubscribe Now

Plein Air Washington Artists’ “Little Gems” Juried Show

juried show, landscape painting, oil painting, representational art, plein air painting, realism, classical realism, tonalism

Story of making the painting, “Valley Light”

Oil paining, mountain, tonalist painting, tonalism, representational art, mountains, trees, panoramic view, valley, shadow line, clouds, realism, classical painting, rosemary brushes, contemporary realism, contemporary art

Presence, 24 x 38

Late one fall afternoon I was working in my studio – and I felt a hunch that I ought to go to my special view spot in the mountains.  It was faster to ride my bike than walk, as it was nearing the end of the day- so I grabbed a backpack and threw in my sketchbook and a packet of charcoal. The weather had been variable all day with patchy clouds and sun breaks.  As I headed up the trail I could see faint light glimmering through the trees.  Higher and higher I rode, as fast as my lungs would allow.  Once I reached the clearing, the sight before me stopped me in my tracks. Reflecting off the cliffs of Mt. Si was this orange-gold light – a spectacular vision that I had never seen before; orange light with a dark shadow line rising up the flanks of the entire mountain range.  The image of this beautiful valley light burned instantly into my mind’s eye.  I knew I had to create this scene into a painting.  But wouldn’t the time please stop and let me soak in the experience a little longer?  I knew it wouldn’t – moments don’t stand still do they?  They just keep unfolding, one after another.  I felt myself accepting the orange light as it sank into my bones and I stood there, silently observing.   No drawing needed.   Luckily I had been there before to draw, so, I had, at least, a record of the important elements.  If you have ever looked at a painting for a long time maybe you’ve experienced a moment through an artist’s rendering.  Back in the studio I had the opportunity to re-experience that moment many times over – from memory.   That’s why I called this painting, Valley Light.  It’s about the Here and Now.  I like Being. Here. Now.

Matzke Fine Art Gallery, “Honey I Shrunk the Art” Annual Small Works Show

I am excited to participate in Matzke Fine Art Gallery’s 26th “Honey I Shrunk the Art” annual small works show!  The show opens on November 19th with an Opening Party and Potluck, 4pm –  9pm, and continues through January 15, 2017. Visit the website at http://www.matzkefineart.com.

For this show I created five plein air paintings of Camano Island.  As a native Washingtonian, I spent many childhood summers exploring our coastlines by boat, throughout Puget Sound and the Inland Passage. My favorite spot on the boat was sitting on the bow, scouting for logs and stumps, or any other danger to our small craft.  I loved to look past the white caps to the rows of slim blue islands across the channel and imagine what life was like at each distant port.  Fast forward a couple of decades and I am still exploring – with my oil paints.  For this series of small plein air paintings, I set out to visit the beaches of Camano Island.  Standing close to the water, smelling the salt and listening to the waves crash against the shore brought me right back to those boat rides and summer time feel.  It’s funny how the smell of salt water can trigger so many memories.  I feel the same sense of wonder today for the beauty I see in nature that I did when I was a child.  Through painting, I try to express an honest translation of both soul and the land.

impressionism, oil, oil painting, landscape painting, mt baker, cascades, cascade mountains, representational art, contemporary landscape painting, oil, gallery, plein air, farmland

Mt Baker, 6 x 8, plein air

camano island state park, representational painting, impressionism, plein air, painting, oil, landscape painting, puget sound, salt water, island, water, contemporary landscape

Camano Island State Park, 6 x 8, plein air

skagit bay, puget sound, salt water, oil painting, plein air, representational art, impressionism, classical painting, classical realism, oil, pacific northwest art, gallery, beach, sand, water, tide

Skagit Bay, 6 x 8, plein air

camano island, representational art, tide, water, pilings, mountains, sea, oil painting, contemporary landscape, landscape painting, impressionism, representational art, pacific northwest, puget sound, mountains, plein air painting,

Tide Coming In, 6 x 8, Plein Air

mudflats, salt water, puget sound, oil painting, landscape painting, plein air, painting, representational art, impressionism, classical realism, realism, puget sound, mountains, piling

Mudflats, 8 x 6, plein air

Rhythms of Nature, Solo Exhibition, Burien Arts Gallery, Nov 4-30, 2016

This Friday, November 4th, 5:30pm-8:30pm, is the Opening Celebration for my Solo show, “Rhythms of Nature,” at Burien Arts Gallery.  The gallery is located in downtown Burien.

826 SW 152nd Street
Burien, WA 98166
206.244.7808

As a contemporary landscape painter, my work is a sensitive interpretation of mood, color, and light.  Born and raised in the West, I am rooted in the diverse ecosystems found in western America. There is a sense of stability and order that I feel with the land, and when a location arouses my curiosity and inspires me,  I will create a series of the scene, changing the key, the composition and color harmony. I look for new ways to express spatial relationships and distance with layers of paint, brushwork, gradations, and diffusions of light.

But my paintings are more than that to me.   As a naturalist and outdoors woman since childhood, I have always felt a spiritual connection with trees and fields, and meadows and mountains.  Quiet places speak to me, as well as, long, stretching views with diminishing values and great big skies.   These places make my heart soar to new heights and inspire me, in a lifelong effort, to explore and communicate an honest translation of both soul and the land.

Join me at Burien Arts Gallery if you can!

 

representational art, fine art, impressionist art, classical realism, tonalist landscape, landscape painting, classical painting, barrels, high desert, art

Backyard Barrels, 11 x 14

landscape painting, tonalist painting, representational art, contemporary art, contemporary landscape, classical realism, oil painting, plain air painting, nocturne, deschutes cabin, full moon, mountains, sage brush, trees

Late Night Fishing, 9 x 12

classical realism, contemporary landscape painting, landscape painting, realist art, realism, impressionist art, representational art, nisqually basin, pacific northwest art, fine art

Nisqually Barn, 8 x 10

Deschutes River, oil landscape painting, dead tree snag

Eagle Creek Deadfall, 8 x 10

 

Snoqualmie River Arts Tour – October 15 & 16, 2016

Please join us this Saturday and Sunday for the Snoqualmie River Arts Tour!  My studio is open and ready for visitors!  My good friend and jewelry artist, Inga Rouches, will be sharing the studio with me;  I can’t wait to see her latest creations.  Please find below all the information you need to make your way to my studio.    Hope to see you soon! – Lolly

RiverArtsTour Color Poster 2016 Final

SRAT2016FlyerPage1 Finalfor Web SRAT2016FlyerPage2 Final for Web

 

Instagram (@lollyshera) and Other News

I have been remiss in regular blog posting and many of you now follow me on Instagram, where I post several times per week.  It has come to my realization that longer blog posts take so much time and I have mostly appeared on IG (@lollyshera) as a way of keeping up.

Since I last wrote I have some wonderful news about exhibiting in the Seattle area.  The Puget Sound Group of Northwest Artists is sponsoring an exhibition in the Rainier Club starting in early October.  I am honored to have my piece, Rattlesnake Cove, chosen as part of this show.  This painting was inspired by the early morning light shining down through the cottonwoods in a small cove at Rattlesnake Lake.  Located up in the foothills of the Cascade mountains outside of Seattle, this lake is a popular destination for swimming, fishing, hiking, and kayaking all year around.  I love the mountain scenery there and I have done several paintings of this area. The paintings in this show will hang from early October throughout the holiday season.  Stop by if you get a chance – there are some wonderful artists exhibiting!

landscape of trees and water, reflection, lake, indirect method

Rattlesnake Cove, 19.5 x 12

In other news, I am pleased to announce that my gallery, Reinert Fine Art in Charleston, S.C. is opening a new location in the small mountain village of Blowing Rock, N. C.  Located deep in the Blue Ridge mountains, Blowing Rock is a perfect getaway spot and is sometimes referred to as the “Aspen” of the east!  As a huge skier and mountain enthusiast I love the idea of someday visiting and skiing in Blowing Rock, NC!

Many of my paintings are now be shipped to either Charleston or Blowing Rock.  If you are interested in a particular painting please contact my by email and I will direct you either to the gallery, reinertfineart.com or to my home studio gallery at Lolly Shera Fine Art; my home studio email is lollyshera@gmail.com.

And finally, those of you who have been following me know that I am preparing for a SOLO show at the Clymer Museum in March/April of 2016.  The opening is Friday, March 4th, 2016 at the Clymer Museum & Gallery in Ellensburg, WA.  Their website is clymermuseum.org.  I am sharing my process of some of the paintings for this show on IG (@lollyshera).

Find me and converse with me on FB (lollysherafineart), IG (@lollyshera) and Twitter (@lollyshera)!

Treehouse Masters – Reality TV Show, Here I Come!

My husband and I are soon to claim our 15 minutes of TV fame, tomorrow, Friday, August 7th at 10 pm when we aire on the Animal Planet’s show called Treehouse Masters!  We built one of Pete Nelson’s (star of the show) treehouses back in 2002, and I used it exclusively as my art studio.  After many years of “hanging in the trees” it needed some repairs.  Pete called us and asked us if we’d like to be part of the show while they do the repairs (and a little upgrade).  Of course, we said “YES!” and here we are!  My art work will be featured on the show, as Pete is one of my collectors.  Here are a couple of the paintings that were hanging in the treehouse when they filmed.  Watch the show tomorrow night and you might see them!

female with white hat, red scarf, pearl earring, brown hair, representational

Rachel, 17 x 12

Mt Rainier, dawn, pink sky, reflection, pond, evergreens, alpine trees

Mt. Rainier II, 24 x 24

Nocturnes at Reinert Fine Art Gallery, Charleston, SC

I am pleased to announce that my nocturnes are available at Reinert Fine Art Gallery in Charleston, South Carolina!    On our recent visit there we took a tour in a horse-drawn carriage through town, learning about the history and visiting the fabulous old neighborhoods that were built in the 1600’s! Charleston was the leading city in the South from the colonial era down to the civil war.  Charleston is one of my favorite places.  I love this town for its friendly people, the fabulous cuisine, and most of all, its celebration of the arts.   I am honored to be working with The Reinert Fine Art Gallery.  Their website is reinertfineart.com.

Blue night landscape painting

Harvest Moon over Mt. Si, 8×12

Nocturne, indirect painting method, memory of trees on ridge with moon light on grass and water

Moonridge, 8 x 10

Painting of oncturne with evergreen hill and pond reflecting moon light

Moon and Pond, 10 x 12

blue night landscape with full moon, mountain

Cloudy Nocturne, 8 x 12

mt rainier at night, blue sky, white mountain, dark trees

Mt Rainier Nocturne Study, 8 x 8

 

Drawings – Field Drawings v. Studio Drawings

graphite drawing, desert plants, sage

Sage Garden, 7 x 10, SOLD

Snoqualmie Falls Drawing, 17 x 13

Snoqualmie Falls Drawing, 17 x 13

Many of you know that I create my paintings from studies – drawings done on location AND in the studio.  It’s funny why artists use the term “study,” but it really makes sense.  While we are working on a drawing we ARE actually studying the subject, whether it’s a figure, still life, or landscape – observing as much as possible in a limited amount of time in order to understand how everything holds together.

When I am in the field I will begin with a few quick thumbnail sketches before I launch into a drawing.  Then I will jot down a few notes that help me remember important pieces of information for later on.  I always include the date, the time of day, weather conditions, lightest light and darkest dark, color harmonies, and, most important, the reason for doing the drawing in the first place.  Why is it an attractive scene?  Why does it compel me?  What am I feeling at the time?  Landscapes are mirrors of our souls and I always try to figure out what it is that compels me to this location.  The top drawing, Sage Garden, was done outside on a very hot day in eastern Oregon.  I love the desert and the great variety of  plants that grow there!

The bottom drawing of Snoqualmie Falls was done in the studio.  I came back from the field with a 9 x 12 plein air painting of Snoqualmie Falls and worked from that to create this larger study.  I knew that I wanted to make a larger painting so it made sense to go into more detail in the drawing stage before I launched into the painting.  It’s amazing what we can remember from being in the field.  I work on my memory through drawing exercises and it has helped immensely.

I am trying to photograph more of my drawings (there are TONS) and I will post them in the drawing section of my website periodically.  If you ever want more information please let me know.    Thanks for visiting!

Clymer Museum Juried Show!

winter field, gray sky, creek, distant fir trees, purple mountains

Patterson Creek, 8 x 12

I am pleased to announce that my painting, Patterson Creek, has been accepted into the 2015 West of the Mississippi Juried Show at the Clymer Museum and Gallery in Ellensburg, WA.  I look forward to the opening on Friday, March 6th, to see all of the wonderful landscape paintings on view.  Please join me if you can, it promises to be a wonderful show!

This painting was created from a series of sketches and drawings done on site.   Later, back in the studio, I reference the drawings and my memory to create a series of thumbnail sketches to work out the final composition.   How I remember what I saw has more to do with what I felt when I saw the scene rather than the specific details.  I remember this day last February, and how this particular field had a soul searching quality to it.  I was inspired by the yellow grasses that stretched outward (or inward?) for a long distance, to the place where the land meets the sky.