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Plein Air Washington Artists’ “Little Gems” Juried Show

juried show, landscape painting, oil painting, representational art, plein air painting, realism, classical realism, tonalism

Matzke Fine Art Gallery, “Honey I Shrunk the Art” Annual Small Works Show

I am excited to participate in Matzke Fine Art Gallery’s 26th “Honey I Shrunk the Art” annual small works show!  The show opens on November 19th with an Opening Party and Potluck, 4pm –  9pm, and continues through January 15, 2017. Visit the website at http://www.matzkefineart.com.

For this show I created five plein air paintings of Camano Island.  As a native Washingtonian, I spent many childhood summers exploring our coastlines by boat, throughout Puget Sound and the Inland Passage. My favorite spot on the boat was sitting on the bow, scouting for logs and stumps, or any other danger to our small craft.  I loved to look past the white caps to the rows of slim blue islands across the channel and imagine what life was like at each distant port.  Fast forward a couple of decades and I am still exploring – with my oil paints.  For this series of small plein air paintings, I set out to visit the beaches of Camano Island.  Standing close to the water, smelling the salt and listening to the waves crash against the shore brought me right back to those boat rides and summer time feel.  It’s funny how the smell of salt water can trigger so many memories.  I feel the same sense of wonder today for the beauty I see in nature that I did when I was a child.  Through painting, I try to express an honest translation of both soul and the land.

impressionism, oil, oil painting, landscape painting, mt baker, cascades, cascade mountains, representational art, contemporary landscape painting, oil, gallery, plein air, farmland

Mt Baker, 6 x 8, plein air

camano island state park, representational painting, impressionism, plein air, painting, oil, landscape painting, puget sound, salt water, island, water, contemporary landscape

Camano Island State Park, 6 x 8, plein air

skagit bay, puget sound, salt water, oil painting, plein air, representational art, impressionism, classical painting, classical realism, oil, pacific northwest art, gallery, beach, sand, water, tide

Skagit Bay, 6 x 8, plein air

camano island, representational art, tide, water, pilings, mountains, sea, oil painting, contemporary landscape, landscape painting, impressionism, representational art, pacific northwest, puget sound, mountains, plein air painting,

Tide Coming In, 6 x 8, Plein Air

mudflats, salt water, puget sound, oil painting, landscape painting, plein air, painting, representational art, impressionism, classical realism, realism, puget sound, mountains, piling

Mudflats, 8 x 6, plein air

Rhythms of Nature, Solo Exhibition, Burien Arts Gallery, Nov 4-30, 2016

This Friday, November 4th, 5:30pm-8:30pm, is the Opening Celebration for my Solo show, “Rhythms of Nature,” at Burien Arts Gallery.  The gallery is located in downtown Burien.

826 SW 152nd Street
Burien, WA 98166
206.244.7808

As a contemporary landscape painter, my work is a sensitive interpretation of mood, color, and light.  Born and raised in the West, I am rooted in the diverse ecosystems found in western America. There is a sense of stability and order that I feel with the land, and when a location arouses my curiosity and inspires me,  I will create a series of the scene, changing the key, the composition and color harmony. I look for new ways to express spatial relationships and distance with layers of paint, brushwork, gradations, and diffusions of light.

But my paintings are more than that to me.   As a naturalist and outdoors woman since childhood, I have always felt a spiritual connection with trees and fields, and meadows and mountains.  Quiet places speak to me, as well as, long, stretching views with diminishing values and great big skies.   These places make my heart soar to new heights and inspire me, in a lifelong effort, to explore and communicate an honest translation of both soul and the land.

Join me at Burien Arts Gallery if you can!

 

representational art, fine art, impressionist art, classical realism, tonalist landscape, landscape painting, classical painting, barrels, high desert, art

Backyard Barrels, 11 x 14

landscape painting, tonalist painting, representational art, contemporary art, contemporary landscape, classical realism, oil painting, plain air painting, nocturne, deschutes cabin, full moon, mountains, sage brush, trees

Late Night Fishing, 9 x 12

classical realism, contemporary landscape painting, landscape painting, realist art, realism, impressionist art, representational art, nisqually basin, pacific northwest art, fine art

Nisqually Barn, 8 x 10

Deschutes River, oil landscape painting, dead tree snag

Eagle Creek Deadfall, 8 x 10

 

Nocturnes at Reinert Fine Art Gallery, Charleston, SC

I am pleased to announce that my nocturnes are available at Reinert Fine Art Gallery in Charleston, South Carolina!    On our recent visit there we took a tour in a horse-drawn carriage through town, learning about the history and visiting the fabulous old neighborhoods that were built in the 1600’s! Charleston was the leading city in the South from the colonial era down to the civil war.  Charleston is one of my favorite places.  I love this town for its friendly people, the fabulous cuisine, and most of all, its celebration of the arts.   I am honored to be working with The Reinert Fine Art Gallery.  Their website is reinertfineart.com.

Blue night landscape painting

Harvest Moon over Mt. Si, 8×12

Nocturne, indirect painting method, memory of trees on ridge with moon light on grass and water

Moonridge, 8 x 10

Painting of oncturne with evergreen hill and pond reflecting moon light

Moon and Pond, 10 x 12

blue night landscape with full moon, mountain

Cloudy Nocturne, 8 x 12

mt rainier at night, blue sky, white mountain, dark trees

Mt Rainier Nocturne Study, 8 x 8

 

Telluride Morning

I jumped on the chance to visit Telluride, CO, last summer for a landscape workshop with Deborah Paris.  We drew every day, all day, from sunrise to sunset, breathing in the trees, mountains and very thin air.  One morning I met up with a couple of art buddies to draw the sunrise in the Telluride Valley.  It was interesting to observe how the sage brush and desert loving plants grow just above and right down to the edge of the fertile, green ponds and streams in the valley floor.  This painting, Telluride Morning, is about that edge where the dry meets the wet.

Telluride Valley, charcoal drawing, sage brush, valley floor

Telluride Valley Field Drawing, 8 x 10

Telluride, Valley, sage brush, pond, aspen trees, reflection

Telluride Morning Drawing, 8 x 10

Telluride, CO, valley floor, sage brush, aspen trees, reflection, pond

Telluride Morning, 16 x 23

Winter Solstice Open Studio – December 21, 2014

Please join me on Sunday, December 21st, 11am – 4pm, on the shortest day of the year to celebrate art and the days getting longer!    I have recently moved studio locations from the treehouse to our barn – more room and warmer!  Lots of small works – great for gifts!  My address is 32014 SE 48th St., Fall City, WA 98024.  Looking forward to seeing you!

Tree trunk with leaves, grass in backgound

Leaf Litter, 10 x 16

Mt. Si, field of grass, sunny day, landscape

Last Warm Rays, 8 x 10

 

Color Sketch for Rattlesnake Cove

I made a drawing of this willow bush against the dark trees a couple of weeks ago.  The water was still and dark showing little reflection of the big trees in the background.  When I returned to the site this week to capture the scene in a plein air color sketch the lake had dropped by several feet (Rattlesnake Lake is controlled by a dam by the City of Seattle).   All the water in front of the willow had disappeared and I was looking at brown lake bottom instead of the beautiful yellow reflections.  What to do?  Well, I decided I liked the memory of the scene from before so I stayed put and painted, making up the reflection from memory!  How convenient is that?  Once again, my paintings are about a confluence of time, place and concept.

Here is the color sketch.  I worked for two mornings during the same time for about two hours each day to complete the painting.  I started with a burnt umber wipeout and painted on top of that.  I like how the warmth of the darkish reddish shows through and gives it an overall color harmony.  This sketch is about 7″x12″.  The larger studio painting will be a golden section size of 12″x19.42 inches.

This is an iphone photo so please excuse the glare.  I’ll be getting professional photos taken soon.

Mt. Rainier – Plein air sketch

Mt. Rainier  14″x11″ Oil on panel  plein air
Luckily I caught the weather to make this sketch over a two day period.  We’ve had our stretch of no-rain, but the fires all over Washington State have caused a huge atmospheric haze, blurring any views.  This painting will be used as a reference for a larger, self-portrait painting in which I am looking out a window at this view.  I am very excited to have Mt. Rainier at my eye level!
Below is a picture of me painting this picture.  While I was working, a professional photographer named, Virginia Jamieson, stopped by to check things out.  She took this picture of me as I was beginning the painting.  Virginia has a facebook page under Nature’s Soul Photography.  Her website is www.naturessoulphotography.

Skagit Valley Plein Air Sketches

It was a scorcher last week in the beautiful Skagit Valley of Washington.  Temperatures in the upper 90’s on some days kept us scrambling for shade.  We painted in the early misty mornings and later in the afternoons, with hopes of capturing the warm light and distinctive shadow shapes of the low-to-horizon sun.

View from Margaret’s House  10″x8″ Oil on linen
Along the Dike – Afternoon 10″x8″ Oil on linen
Along the Dike – Morning 10″x8″ Oil on linen
Early Morning Mist  10″x8″ Oil on linen
Misty Morning  10″x8″  Oil on linen

Skagit Valley